Over mij
The story
How it began
Before the lens
My name is Hendrikje Kooij. Friends call me Henki. Behind the camera, I go by @tootiredhenki - a name that came from too many early mornings and not enough coffee, but the best light always comes at dawn.
I grew up in the Dutch countryside, where the horizon is wide and the sky takes up half your view. My first encounters with nature were not through a viewfinder but simply by being outside - cycling through polders, spotting birds from a dyke, lying in the grass watching clouds move.
The camera came later, as a way to hold onto what felt fleeting. A kingfisher's dive, the way mist sits on the water at 6 AM, a bee so loaded with pollen it can barely fly - these moments deserved more than memory. They deserved to be seen.
The approach
How I work
Patience is not a virtue in my work - it is the work itself. A single image of a crested grebe might take six hours of sitting still in a hide, learning the rhythm of the water, the direction of the light, the bird's own schedule.
I shoot mostly in the early morning and late afternoon, when the light is soft and the world is quiet. My subjects are the birds and small creatures of the Netherlands: the ijsvogel (kingfisher) with its impossible blue, the fuut (crested grebe) dancing across the water, bees and wildflowers in the summer meadows.
Every frame is an attempt to show what the eye usually misses. Not to exaggerate or dramatize, but to reveal what is already there, if you only wait long enough to see it.
What drives me
Why it matters
The natural world is shrinking, and our attention to it is shrinking faster. I photograph not to document loss, but to celebrate what is still here. The flash of a kingfisher's wing, the intricate architecture of a wildflower, the quiet dignity of a grebe on its nest - these are not just beautiful images. They are reminders that the wild is still with us, if we choose to look.
Every photograph I make is a love letter to the Dutch landscape and the creatures that inhabit it. If my work makes one person stop and notice the bird on their canal, the bee in their garden, or the way light falls on the water - then the waiting was worth it.
"The best camera is the one that is patient enough to wait for the right light. Everything else is just technique."